Essay of good-bye my fancy

     I suppose that a lot of us who have been very young in New York have the same scenes in our home screens. I remember sitting in a lot of apartments with a slight headache about five o’clock in the morning. I had a friend who could not sleep, and he knew a few other people who had the same trouble, and we would watch the sky lighten and have a last drink with no ice and then go home in the early morning, when the streets were clean and wet (had it rained in the night? we never knew) and the few cruising taxis still had their headlights on and the only color was the red and green of traffic signals. The White Rose bars opened very early in the morning; I recall waiting in one of them to watch an astronaut go into space, waiting so long that at the moment it actually happened I had my eyes not on the television screen but on a cockroach on the tile floor. I liked the bleak branches above Washington Square at dawn, and the monochromatic flatness of Second Avenue, the fire escapes and the grilled storefronts peculiar and empty in their perspective.

In my rage, however, I called him a “toxic little queen,” and, thus, Anderson Cooper, the self-appointed Jack Valenti of gay media culture, suggested I should be “vilified,” in his words. I didn’t feel bad about the incident. He lied about my wife. They say this is what comes with stardom—I don’t agree with you. A journalist isn’t supposed to write a lie about you. If he was in New York, I might have had the impulse to beat the shit out of the guy. At the time, I didn’t view “toxic little queen” as a homophobic statement. I didn’t realize how those words could give offense, and I’m sorry for that.

Essay of good-bye my fancy

essay of good-bye my fancy

Media:

essay of good-bye my fancyessay of good-bye my fancyessay of good-bye my fancyessay of good-bye my fancy