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Crites objects to rhyme in plays: "since no man without premeditation speaks in rhyme, neither ought he to do it on the stage." He cites Aristotle as saying that it is, "best to write tragedy in that kind of verse . . which is nearest prose" as a justification for banishing rhyme, from drama in favor of blank verse (unrhymed iambic pentameter). Even though blank verse lines are no more spontaneous than are rhymed lines, they are still to be preferred because they are "nearest nature": "Rhyme is incapable of expressing the greatest thought naturally, and the lowest it cannot with any grace: for what is more unbefitting the majesty of verse, than to call a servant, or bid a door be shut in rhyme?"
Dryden also accuses Shadwell for copying from others work without paying the attribute to them. And further Dryden ridicules Shadwell physical built up; Shadwell is a fat and bulky fellow but without a brain and common sense. He suggests Shadwell not to base his characters upon the experience and knowledge of mankind. His men of wit should also be like him. Shadwell’s borrowings are as distinct as oil in the water. He should not claim likeness with Ben Jonson, because Jonson was a learned man but Shadwell was a perfect stupid. Johnson’s satires are great pieces in literature, his comic pieces were effective but Shadwell is so poor in using satire that they do not offend the person satirized there in.